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Here is my list of my all time favorite TV shows, in no particular order. These are
the shows that I could watch at anytime. I'll try to keep it fun by telling you what I didn't
like about them and their characters, some great lines from the shows, maybe some interesting
things you didn't know, and more - anything but just the usual top ten list.
1. The Rockford Files 2. Gunsmoke 3. The Andy Griffith Show 4. M*A*S*H Hawkeye: Trapper: B.J.: Klinger: Hot Lips: Father Mulcahey: Charles E. Winchester: Radar: Henry Blake: Colonel Sherman T. Potter: 5. Alias Smith & Jones 6. Law & Order 1. Angie Harmon - that voice, the withering looks with which she could emasculate
any male perp, her model looks, & heck, she comes from Texas! 7. Dragnet 8. The Waltons 9. Dallas J.R.: Who shot this guy? As evil as a lead came, but he had a deep sense of family
. . . unless, of course, that family member stood in his way of something he wanted. Someone
please set him up with a quenching bourban and branch, please. 10. The Situation Room
Cool theme song; cool car (gold Firebird, which crashed innumerable times); great cast with
Rocky, Angel & others; cool trailer on Malibu beach with a handy bar for rendezvous and drops;
great cases, mostly believable; lots of good guest stars, like Lyndsey Wagner at her most
beautiful. I've said all this without even mentioning the lead: James Garner, the consummate cool
actor.
Gimmicks and or quirks, etc.: now-dated answering machine from which we hear something amusing
before the theme song kicks in; James Garner's brother Jack in cameo roles as, often, a bailiff,
a bartender and the like.
Great line: Angel: "Just do (kill) Jimmy, and I'll spread the word (tell what might happen to
others should they doublecross these thugs like Jimmy did)."
Try out a CD of it.
What a great cast, with Matt, Doc, Kitty, Chester, Festus, Sam and others. This show began as
thirty minutes but was expanded to an hour. Some of the early shows were tightly scripted and
regular works of art. Ran twenty years (1955-75).
Gimmicks and or quirks, etc.: early on, old Doc was often drunk as a skunk, but he sobered up as
the years passed; the Bull's Head saloon as a rougher alternative to Miss Kitty's Longbranch; the
house near the pond, which was often used in scenes set out of town.
Great line: "Becasue we're gonna bushwhack em," as said by a very early and very un-Matt Matt, to
Chester, when Chester asked him why they were hiding out in a cabin with some thugs nearby.
Smell a little whiff of the gunsmoke for yourself.
This show has always been very therapeutic for me to watch . . . just something about it I can't
put my finger on; let's just say that if it's an episode I've already seen, I don't care, I'll
watch it again, because I just want to be in Mayberry, and it doesn't matter to me what they're
doing there.
Gimmicks and or quirks, etc.: drunk Otis having access to the keys as he's locked up weekly for
being lit up; Andy being a lot more "countrified" in the earlier episodes, his pants sometimes
stuck clumsilly down his nerdy boots; barber Floyd being nearly mad . . . as in crazy; Goober
saying, "Yo"; Gomer saying, "Tell 'em Gomer says hey"; very fake downtown Mayberry drawn as
background mural outside the courthouse door; different love interests for Andy; such as, Elinor
Donahue, Joanne Moore (Tatum O'Neal's mom), Julie Adams, Anita Whatever who played Helen for a
long run. (I was more of a Thelma Lou fan; she looked remarkably like Olivia De Havilland.)
Memorable lines: Goober: "Judy, Judy, Judy"; Gomer: "Shazam!"
Why not wander back to Mayberry for a while?
Great ensemble cast. We've all seen it, so let me just blurb about the characters:
Great except for when there was too much Hawkeye, like when he was trying to stay awake by
babbling to this Korean family unfortunate enough to be housing him. Don't get me wrong - I love
the role.
Annoying to me, a bit too precious with the raised eyebrows and shoulder shrugs.
Better before he got the mustache, after which, he seemd to have a chip on his shoulder as if
unsure of his manhood should anyone get beneath the cheese of the mustache.
Better before he became "Christianized" - I think you know what I mean if you've watched; just a
tad too nice, a bit too eager to please.
I surrender. Lead me to Margaret in her tight sweater and tight britches, especially when her
hair was parted in the middle, and before she got too thin and lost most of the Hot Lipsishness.
There is, however, a nasty scene with her, when she and Charles were eating some canned bird and
they became sick because of it - her teeth were quite yellow and she looked kind of gross gorging
herself on it.
The excitement level dropped a foot when he was given a line. Bless me, Father, for I have . . .
Great role; very noble at times ... but justy barely, as when he admitted some general molested
Hot Lips and not the other way around.
The Zen and Taoist center of the cast, always trying to hide his poor deformed left hand, often
behind a clipboard, as if any of us would think anything of it. (Pat Hingle, who guested as
General Daniel Webster Tucker, was missing a pinky and didn't try to hide it.)
Laugh riot; could have cried when he was killed off.
One of the most annoying roles ever, one of those old grumps who thinks he's a natural treasure
and that people want him to be regurgitating arid cliches. Pretty much played the same dumb role
in Dragnet (see below).
Sample a S*P*L*A*S*H of MASH.
Great show because of the charming leads, Pete Duel & Ben Murphy. Pete, who committed suicide
during the run of the show, was replaced by Roger Davis, who did the original narration of the
lead-in theme. Mr. Davis wasn't nearly as likeable as Mr. Duel, though he was adequate in the
role. There were some great guests, like Burl Ives, and some beauties like Michelle Lee, Claudine
Longet, Susan Strasberg & Sally Fields. The show is said to be a takeoff on the popularity of the
Butch Cassidy and the Sundance Kid film.
Gimmicks and or quirks, etc.: the promise of amnesty for their crimes always being just on the
horizon but somehow always beyond reach; the recurring Devil's Hole gang.
Lasso a CD of it.
We all know this show that has run for years and has the most twisting and interesting plots, so
let's get down to the good stuff: the rating of the female ADAs as to their attractiveness. (The
list below shows the best as being #1.)
2. Carey Lowell - the word adorable was created for this fresh-faced, earnest Bond girl; if she's
good enough for Richard Gere, she's good enough for you.
3. Jill Hennessey - another model-quality gal with a husky voice, the exqusite bobbed hair; oh,
how brutally they killed her off!
4. Annie Parisse - maybe the most beautiful of all, but her run seemed brief to me; related by
marriage to Sam Waterston in real life, I believe; another of them killed off, she choking on her
own vomit.
5. Alana de la Garza - haven't seen that much of this girl, but she's a stunner with sculpted
features.
6. Elisabeth Röhm - oh, dear, this girl was nice and pretty enough but, whereas she was
attractive, the other girls mentioned above were absolutely magnetic; it's probably the blond
hair, and she looks to me pretty much like every other blond.
You know you want it. . .
This cop show was so earnest and corny, it was wonderful, and I couldn't take my eyes off it. I
only had much exposure to the later (reborn) color issue of it beginning in the sixties. I think
producer and star Jack Webb was trying to do the LAPD a big favor with this show, back in that
crazy era, in trying to show that cops weren't so bad; but it was often pretty heavy-handed
stuff, with the hippies being pretty much evil and the bad cop being as rare as platinum. Lots of
square and cornball drug use allusions. Be warned, the grating Harry Morgan (who just turned 94!)
was his sidekick (see M*A*S*H note above).
Gimmicks and or quirks, etc.: Jack Webb barely moving his arms as he walked stiff as a board;
watch for Kent McCord as officer Jim Reed, without Martin Milner, of Adam 12; watch for Bobby
Troup (as a bartender, perp, etc.), who penned song classic "Route 66" and was married to Jack
Webb's ex-wife Julie London, with whom Bobby later starred in Emergency.
Get "Just the facts, Ma'am" right here.
This show was born from the excellent and now classic Christmas movie The Homecoming. Seven kids
living in 1930s-40s Virginia with their parents and paternal grandparents. Lots of heartwarming
episodes. Slow episodes always concerned a moody Olivia. I had a big crush on Erin! My favorite
episode was about a class reunion of John's (Ralph Waite's) high school class, in which several
of his old classmates gave the warmest tributes to John; John was my favorite character.
Gimmicks and or quirks, etc.: the old family truck, which seemed to be held together with chewing
gum and chicken wire; Daddy's (Ralph Waite's) old longjohns looked like they might stand up by
themselves if he ever took them off and stood them in a corner; the woodenness of the replacement
John Boy when Richard Thomas left the show. Did you know that Mama (Michael Learned) wasn't
really old enough to be John Boy's (Richard Thomas's) mother in real life, because there were
only twelve years' difference in their ages?
Find out what's going on way back up on Walton's Mountain.
This wasn't just a show around my house on Friday nights, it was an event! We would pop popcorn
and all gather around the set. Let me just blurb about some of the characters:
Jock: This patriarch always seemed to be way too rugged for the sissy settings, like breakfasting
around the pool; one would rather expect to see him sniffing out an oil well or busting a bronco.
He died too young, taking some of the heart of the show with him.
Bobby: The pretty boy. Too nice until he learned to get right down in the dirt with J.R. He got
to do love scenes with a youthful and exquisite Victoria Principle as Pam. Aside: My family and I
sat next to his table at a Louise Mandrell concert, and she pointed him out in the audience and
had him take the stage and do a number with her; and he obliged her, good sport that he was. His
Buddhism helped him cope with the brutal, real-life murder of his parents.
Pam: Tons of sex appeal but needy and moody.
Sue Ellen: Beautiful ex Miss Texas. Drunk. She would hook up with Cliff Barnes & Dusty Farlow to
get back at a cheating J.R. I thought shows with her battling the bottle were snoozers. Had sexy
May/September fling with Chris Atkins (as Peter). All is forgiven for her sensational legs.
Miss Ellie: Boring character. You will wonder what Jock and Digger Barnes . . . or anybody, for
that matter, ever saw in her. Could kill the excitment level of any episode with one of her
audible sighs.
Lucy: Sex kitten deluxe. Drove the much older Ray Krebs wild in the early days of the show, by
seducing him in his truck as he drove her to high school, which led to their locating the nearest
hayloft. She was built like a brick dollhouse and she knew it. Scenes she was in seemed to have a
potential for fireworks, because she might say something that could be embarrassing to just about
anyone.
Find out who shot J.R. It was K------.
I better list a news program before you know I'm a complete idiot. The hard-working Wolf Blitzer
hosts this show. Grouchy Jack Cafferty is always amusing.
All text copyright John T. 1997-Present. All rights reserved.